Scottish National Galleries blog – Sophie Gerrard

Our exhibition The ties That Bind is now in its final month at The Scottish National Portrait Gallery – and to mark this, Sophie has written a blog piece for the Scottish National Portrait Gallery talking about how she made her work Drawn To The Land.

Screen shot 2016-04-10 at 16.16.48
In 2013 I began an exploration of my own relationship with the Scottish landscape. Having lived away for ten years, I wanted to understand the connection I, like many Scots, have with ‘home’.

Read the full blog post here

Did you like this? Share it:

Panel Discussion – Women on the Land – 9th March 2016

On Wednesday 9th March at 12:45pm Sophie will be taking part in a panel discussion with historian Dr Elizabeth Ritchie (University of the Highlands and Islands) and crofter and writer Liz Paul, will look at the history and context of women crofters in Scotland and beyond.

This panel discussion will take place in The Scottish National Portrait Gallery and all are welcome!

 

Screen shot 2016-03-03 at 14.24.47

Did you like this? Share it:

Stephen McLaren on the Scottish National Galleries blog

 

When The Ties That Bind exhibition at The Scottish National Portrait Gallery was in the planning stages, it was agreed between each of us at Document Scotland and the galleries that we would write a blog post to accompany our work – each of us approached this task differently, with a different emphasis and subject matter – but each of the posts reflect our thinking and extended research around our subject matter. Here’s Stephen’s post – this is just a screen grab but you can read the full text by clicking on the image below… we hope you enjoy reading it!

 

Screen shot 2016-03-03 at 23.14.07

Did you like this? Share it:

National Galleries events – Curators’ Tour

On Thursday 14th January 2016 Anne Lyden, International Photography Curator of our exhibition “The Ties That Bind” currently on at The Scottish National Portrait Gallery, will lead a tour of the exhibition from 5pm – 5:30pm.

All are welcome – this event is FREE.

For more information please see here

Screen shot 2016-01-13 at 09.51.32

 

Did you like this? Share it:

National Galleries events – Malcolm Dickson talk

Malcolm Dickson, director of Street Level Photoworks, Glasgow will give a lunchtime talk on 13th January at The Scottish National Galleries to accompany our exhibition “The Ties That Bind” currently on at The Scottish National Portrait Gallery. All are welcome – this event is FREE.

For more information please see here

Screen shot 2016-01-13 at 09.03.10

Did you like this? Share it:

Sophie on BBC Landward and BBC Radio Scotland

This month Document Scotland’s exhibition ‘The Ties That Bind’  at The Scottish National Portrait Gallery in Edinburgh has been featured on BBC TV and Radio. Sophie was filmed talking about her long term project about women, farming and the landscape, ‘Drawn To The Land’ on BBC1’s Landward and was interviewed for Radio Scotland’s Out of Doors program. Watch and listen again here…. !

 

BBC Landward

Sophie spent a very wet and windy couple of days filming with the wonderful Sybil MacPherson, a hillfarmer in Argyll with the crew from BBC Landward. You can see the film here, with Sophie talking about her work with the presenter Sarah Mack from about 22:00 minutes in.

Screen shot 2015-12-05 at 15.32.16

Watch the episode of BBC Landward on BBC iPlayer now.

“I’m delighted that Landward were interested in my project, after long discussions with the producer, Clare who had visited the exhibition and was curious about the work, we arranged a couple of days in November when we could meet with Sybil and do some filming on her remote and beautiful hillfarm near Dalmally. Sybil’s story and her relationship with the land she works and farms is fascinating. The 5 munros which make up her farm have been farmed by her family for over 175 year. There are ruins on the hill where her grandfather went to school. It’s a place full of history and full of connection which is why I thought it would be great to hear more from Sybil and introduce her to the Landward team. The fact that it turned out to be the wettest day I’ve seen in Argyll for some time wasn’t ideal – that it doesn’t even look that bad on tv is annoying!”

 

Screen shot 2015-12-05 at 15.00.03

BBC Landward presenter Sarah Mack with hill farmer Sybil MacPherson, Dalmally, Argyll © Sophie Gerrard 2015 all rights reserved.

“Having never done any TV before I was struck by how long everything took – there was quite a lot of back and forth, re-shooting, “say that again”, “drive over that bridge again and again”. So I’m hugely grateful to Sybil for taking time out of her busy week to allow this piece to be filmed. It was interesting seeing how it all worked, piecing together the parts of the interview and also seeing how they would include my photographs in the piece.”

 

Screen shot 2015-12-05 at 15.05.15

Colin, the BBC Landward camera man, films Sybil as she packs and rolls fleeces on her hill farm near Dalmally. © Sophie Gerrard 2015 all rights reserved.

“I hope what the filming does is introduce the project and my reasons behind shooting it. Women are under represented in farming. Commonly referred to as ‘farmers’ wives’ and seen as having a behind the scenes role. Sybil and the other women in my project are front and centre, they make life and death decisions every day. They are engineers, midwives, business women, decision makers and forward thinkers. The common sense of responsibility for the work they do, and to the landscape and the livestock is something that all the women in my project share. All of them talk as custodians, of having a sense that they are looking after this land for future generations. I have a huge respect for them and the work they do. It’s been a privilege and an honour to work with them and I look forward to continuing the project.”

Sophie Gerrard

 

 

Screen shot 2015-12-05 at 16.09.10

Clare, Colin and Sarah, the BBC Landward crew with Sybil, Dalmally November 2015 © Sophie Gerrard all rights reserved.

 

Screen shot 2015-12-05 at 15.05.23

Sophie with Sybil and the crew. Dalmally November 2015

BBC Out Of Doors

Sophie met with journalist Claire White of BBC Radio Scotland at the Scottish National Portrait Gallery to talk some more about her experience of photographing the 6 women included in the project over the last 2 and a half years. You can listen to this interview here, Sophie and Claire discus ‘Drawn To The Land’ from about 7:38 minutes in.

Screen shot 2015-12-05 at 15.50.48

Listen to the episode of BBC Scotland ‘Out of Doors’ on BBC Radio iPlayer now.

 

Screen shot 2015-12-05 at 16.06.22

Claire White from BBC Radio Scotland interviewing Sophie at the Scottish National Portrait Gallery

“I really enjoyed talking to Claire from Out of Doors about my work. Claire and I spent a really short time in the gallery talking about the work. I’ve done a little bit of radio before, and I’ve interviewed people many time using voice recorders – this just felt a much more comfortable way of talking to the media about my work.

Claire asked some really interesting questions, and picked up on some important aspects of the work. It’s always interesting meeting people who are interested in my work, and who then spot things in the work, or pick up on visual clues within images. Claire certainly did that, and in the interview you can hear her reading the clusters of images on the wall and getting an impression of the women I’ve photographed.

I was grateful for the time she took, and the interest in the project. I hope this reaches an audience who might want to come and see the work at the Portrait Gallery or look at it on my website, and take a little time to get know these women and their stories.

Thank you Claire and your team for the feature.”

 

11046285_911409368908972_4037330934598551911_n

Sophie with Claire White from BBC Scotland Out Of Doors, at the Scottish National Portrait Gallery.

 

Thank you BBC1 and BBC Radio Scotland for featuring Drawn To The Land, both programs are available on iPlayer.

Did you like this? Share it:

What the papers say!

Screen Shot 2015-11-02 at 16.58.03

 

Document Scotland’s latest exhibition – The Ties That Bind, curated by Anne Lyden and currently on at the Scottish National Portrait Gallery has now been open for over a month. We have been absolutely overwhelmed with the response. Thank you all of you who have already visited – and to those of you who haven’t had the chance – it’s on until 24th April 2016 so there’s plenty of time.

 

Here’s some selected press and reviews of the exhibition so far…

 

David Pollock interviewed Document Scotland and wrote an insightful article about the exhibition in The Independent

Janet Christie wrote an in depth article in The Scotland on Sunday about each of the Document Scotland photographers’ work.

Duncan McMillan gave ‘The Ties That Bind’ a 4 star review in The Scotsman

A review of ‘The Ties That Bind’ is featured in Photomonitor written by Dr Katherine Parhar

The exhibition was featured on the BBC: In Pictures feature by Phil Coomes

 

Screen Shot 2015-11-02 at 17.36.13

 

The Ties That Bind’ was featured in The List Magazine

Jeremy Sutton-Hibbert’s work ‘Unsullied & Untarnished’ was featured by The Daily Record

The Photographers’ Gallery featured Sophie Gerrard’s project ‘Drawn To The Land’

Stephen McLaren’s project ‘A Sweet Forgetting’ was featured in The New York Times Lens Blog

 

 

Screen Shot 2015-11-02 at 18.07.50

 

 

The National newspaper also featured a piece on Stephen McLaren’s project ‘A Sweet Forgetting’

As did The Sunday Herald – which featured ‘A Sweet Forgetting’ on the cover story of its weekend magazine one year on from the Referendum. 

Sophie Gerrard was interviewed by Annie Brown of The Daily Record for an in depth article about her project ‘Drawn To The Land’

The British Journal of Photography also featured a beautifully written article on Sophie Gerrard’s work by Jamie Dunn

 

Screen Shot 2015-11-03 at 10.42.49

 

Brighton Photoworks interviewed Sophie Gerrard about ‘Drawn To The Land’, you can see a slide show here. 

An article on the exhibition by Kevin McKenna was featured in The National newspaper

Colin McPherson was featured in a BBC film by Dan Curtis about his project ‘When Saturday Comes’ – watch it here

 

Screen Shot 2015-11-02 at 17.49.58

 

 

ITV News featured Jeremy Sutton-Hibbert’s work ‘Unsullied & Untarnished’

Jeremy’s book of the same name was reviewed by The Scotsman

And ‘Unsullied & Untarnished’ was also reviewed in Photomonitor by Dr Katherine Parhar. 

 

Screen Shot 2015-11-02 at 17.52.04

 

Please remember….  we encourage photography in the exhibition and for you to share your views, thoughts, and images on social networks. Don’t hesitate to get in touch.

 

Gallery-sign

Did you like this? Share it:

Our new Digital Magazine – Doc006

Doc-Scotland-ipad-pages-8

‘DOC006 – The Ties That Bind’ is our new digital magazine. Released to coincide with our exhibition of the same name at the Scottish National Portrait Gallery, Edinburgh, from 26th Sept- 24th April 2016.

Created in collaboration with acclaimed digital masterminds Start Digital, who we enjoyed working with on our first Digital Magazine, ‘The Ties That Bind’ is an easy to download digital catalogue showcasing four projects, from the four members of Document Scotland.

Download this digital exhibition catalogue now from the Apple Store or from Google Play

Doc-Scotland-ipad-pages-9

Doc-Scotland-ipad-pages-1

Doc-Scotland-ipad-pages-3

Doc-Scotland-ipad-pages-2

Each of the four projects Unsullied and Untarnished by Jeremy Sutton-Hibbert, When Saturday Comes, by Colin McPherson Drawn to The Land by Sophie Gerrard and A Sweet Forgetting, by Stephen McLaren are those featured in the Scottish National Portrait Gallery exhibition, which has been curated by Anne Lyden.  Here in the app they appear with new and unseen images accompanied by text, audio and multimedia photofilms.

Doc-Scotland-ipad-pages-4

Doc-Scotland-ipad-pages-7

We’ve been delighted to work again with the team at Start Digital. They created our first digital app for us, and since then we’ve really appreciated the versatility and impact of this digital platform. The layouts are clear and present Document Scotland’s images in a gallery layout. The audio and multimedia adds depth to projects elevating them above the simple layout of the ‘magazine page’ and into a multi dimensional experience. Interactive maps and evocative audio recordings add further complement the projects.

Doc-Scotland-ipad-pages-5

Doc-Scotland-ipad-pages-6

We hope that you will download and enjoy this exciting new digital publication –

This digital exhibition catalogue ‘Document Scotland: The Ties That Bind’ is available for download for Android and iOS devices from Google Play and the App Store.

Did you like this? Share it:

“The Ties That Bind” talks – 26th September

DS TALKS 3a

Our exhibition at The Scottish National Portrait Gallery – “The Ties That Bind” opens soon. To accompany the opening of the exhibition, we will be presenting our work and talking about our projects at the Portrait Gallery, on Saturday 26th September from 2-3pm.

The event is free, and all 4 of us will be speaking – so if you would like to know more about the work and are in town then please come along – we’d love to see you. Please come early to guarantee your place.

We look forward to seeing you there,

Sophie, Colin, Jeremy and Stephen.

 

The Ties That Bind, an exhibition by Document Scotland and curated by the gallery’s international photography curator Anne Lyden, is on at the Scottish National Portrait Gallery, Queen Street, Edinburgh EH2 1JD from 26th September 2015 – 24th April 2016. Admission free, open daily 10am-5pm, Thursdays until 7pm (0131-624 6200, www.nationalgalleries.org)

 

Did you like this? Share it:

The Ties That Bind

SNPG_Framer-01

We are less than a month away from the launch of our forthcoming exhibition at the Scottish National Portrait Gallery in Edinburgh, which opens on 26th September 2015.

Curated by the gallery’s Curator of International Photography, Anne Lyden, The Ties That Bind brings together Document Scotland’s four photographers who each present projects which have been inspired by the period of intense debate and self-examination among Scots, in the run-up to, and aftermath of the Referendum in September 2014. Each photographer – Stephen McLaren, Jeremy Sutton-Hibbert, Colin McPherson and, Sophie Gerrard – has created a body of work which considers a different strand of Scotland’s culture and heritage, and in the process explores very timely questions of personal and national identity.

 

For The Ties That Bind, McLaren, Sutton-Hibbert, McPherson and Gerrard have created four groups of work that consider legacy —Scotland’s role in the slave trade and sugar plantations of Jamaica in the 18th century; tradition —the centuries-old celebration of Border towns in the Common Ridings festivals; engagement —the devotion and commitment from football supporters in small towns and communities across the country; and the land itself —focusing on contemporary farming through the experiences of six women.

Rozelle, Jamaica. Photograph © Stephen McLaren, 2015 all rights reserved.

Rozelle, Jamaica. Photograph © Stephen McLaren, 2015 all rights reserved.

 

A Sweet Forgetting, Stephen McLaren’s project, revolves around the involvement of Scots in the sugar economy of Jamaica in the 18th and 19th centuries, which was built on the back of slave labour from Africa. McLaren spent a month in Jamaica looking for the sites of plantations owned by seven Scots men of that era, before coming back to Scotland to trace how these men spent their wealth, and what is left of this legacy today. McLaren’s photographs largely concentrate on the mansions and estates purchased with funds from the slave trade. One of the plantation owners McLaren studied was the politician and poet Robert Cunninghame Graham (1735-1797), who owned several estates in Scotland as well as a Jamaican plantation at Roaring River and made his fortune from slave plantations. A Sweet Forgetting suggests that Scotland has perhaps largely forgotten how much of its economy was dependent on slave labour in Jamaica. McLaren’s subtle, but provocative work considers Scotland’s past and how it shapes the present, as well as how we choose to remember the past.

Common Riding, Selkirk. Photograph © Jeremy Sutton-Hibbert, 2013 all righted reserved.

Common Riding, Selkirk. Photograph © Jeremy Sutton-Hibbert, 2013 all righted reserved.

 

For Unsullied and Untarnished, Jeremy Sutton-Hibbert focused on the Scottish Borders area and its traditional summer festivals, known as the Common Ridings. During the Common Ridings, riders chosen as representatives of their communities symbolically survey the boundaries of the town’s and burgh’s common lands. Participating in the yearly ritual is considered an honour for the local youths; the Common Ridings are an opportunity to represent their community by carrying the standard around the neighbouring borders of the common land, before bringing it back “unsullied and untarnished”. During the festivals, “exiles” return home to partake in events and greetings are often sent by those unable to make the journey, while bonds are re-established with neighbouring towns. Intrigued by the history of the festivals Sutton-Hibbert visited various towns, including Hawick, Selkirk and Jedburgh among others and made portraits of the riders and other participants in traditional outfits. By looking at how the history and sense of community is kept alive, Sutton-Hibbert explores traditions and their legacy in modern society.

'The Cowshed, Greenock Morton. Photograph © Colin McPherson, 2015 all rights reserved.

The Cowshed, Greenock Morton. Photograph © Colin McPherson, 2015 all rights reserved.

 

Colin McPherson’s contribution to The Ties That Bind is entitled When Saturday Comes, after the eponymous football magazine which has commissioned McPherson over the last 10 years to photograph football culture both in Scotland and further afield. An ardent football fan himself, McPherson has used the opportunity to explore the game at all levels, although for this exhibition he has focused on lower-league football and the rituals associated with the sport; his photographs explore the sense of belonging and commitment shown by supporters, players and those charged with running clubs – from Berwick Rangers to Fraserburgh. For a lot of people football is an experience first encountered at the community level of village youth clubs and small town teams. As a weekend ritual it draws people together on the stands or grassy verges in all weather and seasons to celebrate or commiserate over the game at hand. This sense of engagement and loyalty is one that is echoed around the land every Saturday.

Sarah, Isle of Eigg. Photograph © Sophie Gerrard, 2015 all rights reserved.

Sarah, Isle of Eigg. Photograph © Sophie Gerrard, 2015 all rights reserved.

 

The fourth project in The Ties That Bind, Drawn to the Land, is Sophie Gerrard’s ongoing exploration of women in the contemporary Scottish landscape. Gerrard’s photographs offer a glimpse into the lives of six women farmers in a variety of Scottish settings (Argyll, Perthshire, the Scottish Borders, the Isle of Eigg and the Isle of Mull), and how they shape, and are shaped by, their surroundings. Working as hill farmers with responsibility for remote and diverse parts of the land, these women identify as custodians rather than as landowners, and often talk of being drawn to the hill. For Drawn to the Land, Gerrard set out to understand her own connection with the Scottish landscape, which is often seen as a symbol of national identity and nostalgia. To explore the topic she chose to focus on female farmers, often under-represented in the UK despite the number of women in farming increasing significantly in recent years. Through each of these women’s compelling stories, Drawn to the Land presents an emotional response to this country’s rugged mountains and remote lochs and islands and a wider story of Scotland’s national identity.

 

While the work touches on the political landscape around the Referendum, the images do not affirm any one position, but seek to portray a multiplicity of views that portray the complex challenges and subtle nuances surrounding the larger debate. Together these images create a compelling dialogue about Scotland, its people, diversity and culture, and reveal the subtle nuances that shape a nation’s identity.

 

Christopher Baker, Director of the Scottish National Portrait Gallery, said: “Document Scotland has impressively addressed through The Ties That Bind some key themes about belonging and history, the resonance of Scottish heritage and diversity of community life across the country today. Their work demonstrates the outstanding quality of contemporary documentary photography and its ability to provoke us to think about issues of individual and collective identity.”

 

Document Scotland: The Ties That Bind is part of the IPS (Institute for Photography in Scotland) 2015 Season of Photography, a series of exhibitions and events taking place across Scotland from April to September 2015. The exhibition will run until 24th April, 2016. Admission is free.

 

Document Scotland would like to acknowledge and thank Creative Scotland and the University of St. Andrews Library’s Special Collection for supporting the making of the work for The Ties That Bind.

Did you like this? Share it:

Season of Photography in Scotland

The Season of Photography in Scotland has been announced and Document Scotland are very pleased to be involved with our upcoming exhibition at the Scottish National Portrait Gallery – The Ties That Bind.

Season-Poster

“The aim of the Season is to highlight, celebrate and promote photography. From the historical innovations of the 1840s to the digital explorations of 2015, The Season offers something for everyone and tells multiple stories about the diverse ways in which photography is used as a creative tool.”

The Ties that Bind will be on at The Scottish National Portrait Gallery from 26th September 2015 – 24th April 2016.  Curated by Anne Lyden, International Curator of Photography at The Scottish National Portrait Gallery, the exhibition will bring together new work which we have been working on since our exhibition at Impressions Gallery in the summer of 2014. We are delighted to be involved in this season of photography in Scotland.

Season-leaflet

The Institute of Photography in Scotland is an association between The National Galleries of Scotland, The University of Glasgow, The University of St Andrews, Street Level Photoworks, Glasgow, and Stills, Edinburgh. For more information on The Season of Photography in Scotland please visit www.institutephotographyscotland.org

 

Did you like this? Share it: