Foodbank is an ongoing photographic project by Glasgow-based photographers Saskia Coulson and Colin Tennant which began in the summer of 2020. In 2009, the Trussel Trust opened its first branch in Scotland. Ten years later The Scotsman reported that there were a staggering 52 food banks operating in Glasgow alone.
Passing Place is an intimate portrait of both Sandy Carson’s mother and the ex-mining village he grew up in the West of Scotland after emigrating to America at a young age. This photographic memoir deals with separation, space, and the invisible family bonds that exist despite physical distance incurred by geographical displacement.
There is a lot of discussion at present about what our towns and cities will look and feel like in the post-COVID world. A death spiral of economic activity and loss of both permanent and transient populations, could lastingly render the centres barren wastelands, redundant in many different senses.
I had already noticed Nicola Stead’s portraits of Glasgow women on her website, stumbled into by chance following links and clicks, and I was taken by the simplicity of them, but also the strength of the women that showed through the great use of light, and sharpness of focus, as well as their expressions. Lovely portraits.
I am always intrigued by creative people who manage to cross-pollinate their practice by involving other disciplines. I first came across the work of Angus-based writer Bill Duncan in the first years of this century, when he published a couple of wry, funny and beautifully-observed chronicles of Scottish life through the prism of Calvinism.
A few days back photographer Iain McLean told Colin and I that he’d been working on a series of portraits of homeless people, and assisted by the Simon Community Scotland. Today he shares with us some of the work, which is still ongoing and due to be exhibited in October, along with his thoughts on the project.
Today Paul Glazier launches a kickstarter to support his new book “Island Tides” Published with Bluecoat Press the book documents life on Vatersay in the Outer Hebrides over the 35 year period Paul visited the island.
Last week, via Twitter I found this little set of images by a good friend and colleague, the London-based photographer Richard Baker. I was struck by the text and images which I thought formed a tender little portrait of both a day out as a working photographer, and also of Tom Leppard, the tattooed hermit of Skye.
DOCUMENT SCOTLAND SEEKS SUPPORT TO CONTINUE MAKING AND SHOWCASING THE BEST OF SCOTTISH DOCUMENTARY PHOTOGRAPHY Document Scotland is launching an initiative to continue the work they do to support photography in Scotland. They are inviting individuals and organisations to become their patrons, and in doing so, putting the work of the collective on a sustainable […]
Hailstones, Kinnaber, 2000. Photograph © Colin McPherson, all rights reserved. This Saturday, 30th May 2020, is the twentieth anniversary of the day I took a photograph that has come to symbolise my work and the project Catching the Tide, which documented Scotland’s last salmon net fishermen. To mark the occasion, Document Scotland is hosting a […]
Bored in the house, fed up of the Lockdown? Join Jeremy Sutton-Hibbert tomorrow afternoon, Friday 22nd May, on the Friday Forum – an online meeting of creatives organised by Creative Informatics and Visual Arts Scotland. Jeremy will be introducing and presenting the work of the Document Scotland photography collective. The event is free, but please […]
Open Call Documenting St Andrews: Spring and Summer 2020 What is the town of St Andrews like during the pandemic? What are the townspeople doing? How are the workers and the students, the elderly and the young? And the seagulls, the ducks, the crabs, the oak trees, the bell towers and the relentless waves of […]